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There is a strong vein of sentimentality in these reconciliations, of course, but also something heroic.
I hope Vannevar Bush would be pleased to see how I’ve tried to use the great Memex-like Web we’ve built for ourselves–a Web that he could conceptualize long before anyone could actually build it.
he hypertext link is the first significant new form of punctuation to emerge in centuries, but it is only a hint of things to come.
"Links of association"--actually a favorite phrase of Dickens-- play a major role in the narrative of Great Expectations.
The link usually takes the form of a passing resemblance, half-glimpsed and then forgotten.
The Victorians have a reputation for family-values conservatism, but their most gifted novelist dissected and recombined the family unit with an inventiveness that would have impressed the Marquis de Sade.
For all the experimentation, of course, Dickens's novels eventually wind their way back to some kind of nuclear family.
It appeared first in , and then later in Life magazine with the famous illustrations of the Memex and, of course, the camera-eye in the center of the man’s forehead.
Go Pro cameras, you owe Vannevar Bush a debt of thanks. The Wikipedia article notes that “As We May Think” was both “visionary and influential.” Indeed it was.
Consider Pip's ruminations on his mysterious playmate and love-interest Estella: "What was it that was borne in upon my mind when she stood still and looked attentively at me? They restore a certain orderliness in the face of tremendous disorder (mirroring in one way the "synthetic" connections of hypertext prose).
The associative links unite Dickens' two major thematic obsessions: orphans and inheritances.