Break Desire Essay Every Language Longing Moment Rule

Break Desire Essay Every Language Longing Moment Rule-31
And because it grounds expressive capacity on the notion of human freedom, it demands that artistic representation be strongly informed by ethical and political concerns.This is why at times existentialist aesthetics can appear out of touch with the aesthetic avant-gardes of the 20 century.Each thing, from the single grain of Dust to the strongest eldil, is the end and the final cause of all creation and the mirror in which the beam of His brightness comes to rest and so returns to Him. It is hard to have patience with people who say 'There is no death' or 'Death doesn't matter.' There is death. And whatever happens has consequences, and it and they are irrevocable and irreversible.

And because it grounds expressive capacity on the notion of human freedom, it demands that artistic representation be strongly informed by ethical and political concerns.This is why at times existentialist aesthetics can appear out of touch with the aesthetic avant-gardes of the 20 century.Each thing, from the single grain of Dust to the strongest eldil, is the end and the final cause of all creation and the mirror in which the beam of His brightness comes to rest and so returns to Him. It is hard to have patience with people who say 'There is no death' or 'Death doesn't matter.' There is death. And whatever happens has consequences, and it and they are irrevocable and irreversible.

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This false certainty comes out in Professor Haldane's article...

It is breaking Aristotle's canon—to demand in every enquiry that the degree of certainty which the subject matter allows.

For the existentialists, the human being is “more” than what it is: not only does the human being know it will “use” its own being, and thus how it will relate to the world.

“Existence” is thus closely related to freedom in the sense of an active engagement in the world.

This metaphysical theory regarding human freedom leads into a distinct approach to ontology, i.e., the study of the different ways of being.

This ontological aspect of existentialism ties it to aesthetic considerations.But in all cases freedom is the ultimate ground of human beings’ capacity to relate to the world.For the 20 centuries, and which his famous student, Martin Heidegger, developed into a combination of existential analysis and deep ontology.Existentialist thinkers believe that, under certain conditions, freedom grants the human being the capacity of revealing essential features of the world and of the beings in it.Since artistic practice is one of the prime examples of free human activity, it is therefore also one of the privileged modes of revealing what the world is about.The metaphysical and ontological significance of freedom precedes its moral, ethical, and political aspects, since the ways in which human beings “hook up” to the world should be considered before issues of duty or justice.For existentialism, human freedom grounds the very possibility of knowledge in its deepest form, i.e., the capacity of human beings to reveal something about reality.That technique involves the seizure of power by a small, highly disciplined group of people; the terror and the secret police follow, it would seem, automatically.I do not think any group good enough to have such power. The secrecy and discipline of their organisation will have already inflamed in them that passion for the inner ring which I think at least as corrupting as avarice; and their high ideological pretensions will have lent all their passions the dangerous prestige of the Cause.However, since most of the existentialists followed Nietzsche in the conviction that “God is dead,” art’s power of revelation is to a large extent devoted to expressing the absurdity of the human condition.For the existentialists, the world is no longer hospitable to our human desire for meaning and order.

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