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Wolff displayed a deft balance of the emotional and the political, two crucial elements in a critical examination of cultural discourse and artistic practices.Her evocative descriptions and elegant use of the first person created a languid flow throughout the story, and I found the clarity of her insight to be well-matched with the complexity of her subject matter.
is a professional artist, pedestrian, art wanderer and space maker who has lived a life of displacement and detachment from her ancestral lands and communities.
Born in Edmonton, moving often during her childhood and residing in the Saskatoon inner city during her adolescent years and most of her adult life, Corinna relocated to Italy after completing her MFA at the University of Saskatchewan in 2016, where she lives and creates.
Drawing on philosophy, art history and theory, Antwi convincingly complicates and argues for an engagement of difference in contemporary culture.
Antwi positions artistic production as a practice that is not only materially expansive, but one that is intimately and deeply committed to and part of a much wider community.” — Bopha Chhaydistinguished itself on my very first read.
A final section discusses the Preservation, Archiving and Dissemination (PAD) initiative of the Electronic Literature Organization, including the Electronic Literature Collection Volume I and the two white papers that are companion pieces to this essay, "Acid Free Bits" and "Born Again Bits." Intended audiences include scholars, administrators, librarians, and funding administrators, respectively, who are new to electronic literature and for whom it is hoped this essay will serve as a useful introduction.
Because this essay is the first systematic attempt to survey and summarize the fast-changing field of electronic literature, artists, designers, writers, critics, and other stakeholders may find it useful as an overview, with emphasis on recent creative and critical works.
For eligibility, writers must be 18 years of age or older and cannot have published more than three pieces in national or international magazines.
This year, an international jury of writers and art professionals reviewed the submissions.
Cover sheets MUST ONLY include your name, the title of your submission, your email address, and mailing address.
Authors’ names should not appear on the submission. There is no fee to enter, but Please limit short fiction to 2000 words or less; flash fiction to 350 – 500 words per submission; essays to 1200 words; and poetry to three pages (standard font.) Please submit no more than a total of 5 single entries.